One Pitch Wars Spot . . . Who Wants It?

Photo by Lotus Head

Some of you might find it most endearing that I love to travel and experience different cultures, or that I’m a vegetarian who would never go vegan and give up ice cream and cheese. Or maybe when you hear that Grease is my all-time favorite movie, you don’t care what my writing qualifications are. But, for those of you who are still wondering why I’d be a good mentor, here goes. I’m an elementary Truck on freewayteacher, and believe me, third grade writing conferences count as experience. I can spot a grammar error or choppy sentence flow like it’s a semi-truck whizzing past me.

I’m a freelance educational writer, and you’ll find a handy list of links to my work over at my website, black laptop red shirtTeacher’s Idea. I’m a Middle Grade writer, represented by Kerry Sparks of the Levine Greenberg Literary Agency and I am constantly reading, writing, or critiquing with a fabulous list of critique partners. I’m fairly certain they’d all vouch for me. Um, right, you guys? 

I believe in pointing out the strengths in a manuscript MP900448582as well as what might need work, I love to chat about ideas, and if your manuscript needs a polish, I always have my cleaning gear ready. :) 

 

So, if you’re interested, here’s what I’d love to find for my Middle Grade team . . .

Contemporary
Contemporary with Magical Elements
Mystery/Adventure
Light Fantasy/Light Sci-Fi

I'm most drawn to MG stories grounded in reality- contemporary or contemporary with magical elements. I’d even go light fantasy and light sci-fi, but I prefer stories based in our world. I also love combinations of mystery and adventure or either one on its own. I’m not your girl for straight up historical, but if it has a dash of history thrown in, it’s a yes! I like fun, clever, stories with strong or developing relationships, whether it's family, friendship, or first love. Most of all, give me great characters and a story that keeps me turning the pages.

Now the only question is, what do you have for me? :)

***

Submissions start today (11/26) ! The cut off time to get your applications (query & first five pages of manuscript) in is 8PM EST on December 5.

Send your applications to brendadrakecontests@gmail.com. Writers can apply for up to 3 coaches. The coaches' categories are set. Coaches can only consider the categories they've signed up for. Writers cannot apply for a coach that is not in their category.

For additional information about this contest go HERE.

· This is open to finished manuscripts only.

· You may only enter one manuscript.

· Only the genres requested by each coach will be considered for the contest.

Formatting...

Subject line: Pitch Wars Application: Coach Name you want to apply for: Title (Example: Pitch Wars Application: Brenda Drake: GONE WITH THE WIND)

Name: Your Name

Genre: The genre of your manuscript

Word Count: The word count of your manuscript

Query letter here (embedded in email). Single spaced. No indentions. A space between each paragraph.

First five pages of the manuscript here (embedded in email). Single spaced. No indentions. A space between each paragraph.

````````````````````````````````````````````````````````````````````````````

REMINDER: You can send an application for up to 3 coaches. 

Check back soon for a complete list of the amazing agents participating in the contest. There's over a dozen!

Today all the coaches are posting bios/wish lists on their blogs. So before choosing your top 3 picks, check all the coaches' posts in your category before deciding which coach to submit. To jump from blog to blog, just click on our pictures below.

Pitch Wars Details!

We're extremely excited to announce an upcoming event where agented authors, industry interns, and editors team up with aspiring writers to shine up their manuscripts and pitches to present to some awesome agents.

image

Here's the deets...

· The teams will consist of 1 agented author or industry intern or editor (coaches) and 1 aspiring author.

· November 26th: The coaches (listed on the linky below) will post on their blogs what genre/category they want to coach. They'll be very specific genres. Aspiring writers will hop around and decide which coaches best fit their manuscripts.

· November 26th through December 5th at 8PM EST: Aspiring writers will submit 3 "applications" to their top choices for coaches to the contest email (brendadrakecontests@gmail.com). That means, participants will send three separate emails to the contest email addressing each with one of their three top choices for coach.

· December 5th through December 10th: Coaches will read the applications and pick teammates.The coaches don't have to pick from their applications. If a coach passes on an application, it is then up for grabs and another coach, if they haven't connected to their applicants, can snatch it after notifying the applicant and if the applicant chooses the coach.

· December 12th: Teams will be announced. On the announcement post there will be instructions on how the winners must send their work.

· December 12th through January 16th: Each coach will read their teammate's manuscript and give general notes on any issues they find. The coach will help their teammate get his or her pitches ready for the agent round.

· Note: The material for the agent round will be a 3 sentence pitch and the first 250 words of your manuscript. Coaches will read manuscripts and query letters only once and give notes. It is up to the writer to use the notes from their coaches to get the manuscript and query letter in as best shape as they can to send to requesting agents. The coaches will critique the three sentence pitch and first 250 words. The coaches will read them as many times as they deem necessary. In no way will writers expect the coaches to read the manuscript and query letter more than once or the pitches more than twice.

· January 20th: Coaches will submit shined pitches to the contest email.

· January 23rd and 24th: Agents will read and make requests on the pitches they like (it is likely that not all participants will get requests).

· January 25th: We'll announce the team with the most requests and who will take home the winning prizes (an amazon gift card for each).

· This is open to finished manuscripts only.

· You may only enter one manuscript.

· Only the genres requested by each coach will be considered for the contest.

Formatting...

Subject line: Pitch Wars Application: Coach Name you want to apply for: Title (Example: Pitch Wars Application: Brenda Drake: GONE WITH THE WIND)

Name: Your Name

Genre: The genre of your manuscript

Word Count: The word count of your manuscript

Query letter here (embedded in email). Single spaced. No indentions. A space between each paragraph.

First five pages of the manuscript here (embedded in email). Single spaced. No indentions. A space between each paragraph.

````````````````````````````````````````````````````````````````````````````

REMINDER: You can send an application for up to 3 coaches.

Our mentors ...

Another Hook, Line & Sinker Success Story!

Interview courtesy of Kat Ellis.  :)
***
Another Hook, Line & Sinker success story? HELLZ YES.

I am so excited to announce that Pat Esden has signed with Pooja Menon of Kimberley Cameron & Associates! Pat's entry for MOONHILL got a lot of agenty attention in the contest, so I'm over the moon (and not at all surprised!) that she is now officially an agented author.


CONGRATULATIONS, PAT!
 
Pat

Of course, I immediately asked Pat for the lowdown...

First of all, please tell us what MOONHILL is about.

MOONHILL is a YA contemporary gothic tale about Anie Freemont, a seventeen-year-old antique dealer. Anie’s never believed the stories her father told about their ancestral home, Moonhill. Mystical rings which eat souls, genies in jars . . . she figured the frightening tales were simply another of her antique-dealing papa’s eccentricities. That is, until he’s diagnosed with dementia and a court order forces her to take him back to Moonhill and the estranged family they fled when she was three years old.

All Anie wants is to help her father get stabilized so they can leave as fast as possible. But from the moment they arrive, she’s isolated from him by their family. She notices disturbing things too, including human-shaped shadows in Moonhill’s gallery and a witch’s pentagram under her bed. When her father turns violent and Anie discovers he’s not seeing a doctor like she was told, the deceit leads her to a decade-old mystery surrounding her mother’s death in Moonhill’s graveyard. A mystery she must unravel if she wants to help her father.

But to separate truth from tale, Anie will have to use all the tricks she learned while dealing antiques with Papa to outwit a family who prefers to keep her in the dark—and an entity which is far different than the Christian demon she first suspects. If she fails, Papa will end up institutionalized for life--and she may never escape Moonhill, unless it's in a body bag like her mother.


Who or what inspired you to write it?

It was Johnny Depp and our shared love for the old TV series Dark Shadows.

When I heard he was working with Tim Burton on a remake, it struck me that having fun and creating something you’ve always wanted to try was important to me as well. However, I didn’t have the desire to create a campy remake of Dark Shadows. I wanted to write a gothic novel which had an atmosphere reminiscent of the show and to that of the classic mid-century gothic novels written by Phyllis Whitney, Mary Stewart and Victoria Holt—but with an updated flare and sizzle to make it appealing to the modern teen reader. 

What made you decide to enter Hook, Line & Sinker?

In August I sent out queries to agents who had read previous manuscripts of mine and asked to look at future works, and to several who specifically liked gothic. While I was waiting to hear back from them, I was also working on an under seventy-five word pitch for Authoresses’ upcoming Baker’s Dozen contest. When I saw HLandS required a pitch that was under sixty words, I thought I couldn’t do it. But it was a challenge I couldn’t resist. Once I got the pitch where I wanted it, I was pretty much compelled to enter—and I had never queried any of the agents in the HLandS contest.

When Pooja made her offer of representation, how did The Call happen?
 

Like I said, I’d queried other manuscripts. I’d waited over a year to hear back from agents and up to nine months on several occasions. Pooja totally caught me off guard.  When the last round of the contest went live, she quickly requested fifty pages and a synopsis. A few hours later, I received an energetic request for a full. Less than twenty-four hours after that, she emailed me an offer of representation and asked if I’d like to chat on the phone. It was an amazing relief to receive the offer before “The Call”. It also made it easier to judge what a normal working relationship with Pooja would be like, instead of worrying about whether I get an offer or not.

What's next for you?

Pooja has several new clients, so I’m planning on working on a new project until she’s had a chance to go through MOONHILL and get back to me with revision suggestions.

Actually, I think learning to balance working on several projects at once is going to be my biggest writing challenge over the months to come.

Thank you so much for hosting the YA portion of the HLandS contest.  It was an amazing and life changing few weeks for me.

***

Brilliant answers, right?? Make sure you follow Pat for more news about MOONHILL!


On twitter: @PatEsden

People who leave comments are winners. FACT.

A Hook, Line, & Sinker Success Story!

Courtesy of the fab Kat Ellis . . .

I am so utterly THRILLED to be able to announce the first ever Hook, Line & Sinker success story! Debbie Causevic, who entered the contest with her fabulous YA urban fantasy/romance TUMBLING AFTER, is now represented by Pooja Menon of Kimberley Cameron & Associates!

   

CONGRATULATIONS, DEBBIE!

Naturally, I wanted to get all the deets from Debbie, so I asked her a few questions...

First of all, please tell us what TUMBLING AFTER is about.

 
Tumbling After is the first book in a trilogy I am writing titled The Timebender's Curse, a YA urban fantasy/romance. In this first book, 15-year old Louie Weatherby is sent back in time due to a centuries-old curse upon her family. She arrives in 1860 Williamsburg, VA just months prior to the onset of the Civil War. As part of her curse, she is forced to play a role in ensuring that her precarious lineage continues down the haphazard path that ultimately leads to her own existence. During her foray in this disconcerted land, she falls wildly in love with Owen Hayes, a young farrier apprenticed to her family’s mortal enemy.
 
Unfortunately, the Timebender responsible for cursing Louie’s family is forcing Louie to play a game she doesn't understand. What she does understand is that unless she consents to becoming a bigger pawn in the Timebender's wicked game, Louie will be parted from Owen as soon as she completes her task, never to see him again. She must ask herself how far she is willing to go to be with the love of her life, and how much she is willing to make others pay in order to do so.

What made you decide to enter Hook, Line & Sinker?

I’ve completed a handful of manuscripts but, at the point that I entered HL&S, I hadn't tried anything aside from straight querying. I decided I needed to break the pattern and become more proactive, so I committed to attending writers' conferences and entering whatever contests I could find online. As luck would have it, Hook, Line, and Sinker was the first step I took in that direction. I'm sure you can understand how completely surreal and awesome it felt not only to make it to Round 3, but also to have connected with Pooja Menon of Kimberley Cameron and Associates, who I have since signed with. These last few weeks have been just completely amazing and I am very thankful to HL&S for giving writers aspiring for publication such an opportunity.

Had you queried TUMBLING AFTER before the contest?

Yes, I completed the manuscript and began querying it in 2011. It generated some interest and I received two requests for partials that ultimately didn’t pan out. One of the agents took six full months deciding and actually offered more compliments than complaints in her rejection. Rather than starting to query again after her reply, I reread the manuscript and more clearly saw the areas that needed improvement. Ultimately, I think sitting on the book for so long while waiting was helpful. Having distanced myself from the writing of it, I was better able to fine tune the manuscript and come up with a stronger product. And as they say, all is well that ends well. I ended up with an agent who feels passionately about this manuscript, which is what I was hoping for all along.

When Pooja made her offer of representation, how did The Call happen?

Before the call, I knew that Pooja was fairly interested in the manuscript. She had requested the first 50 pages and, fairly soon thereafter, the complete manuscript. From what I had read online, I really liked her view on the industry, her progressiveness and her motivation, so I was hopeful. Regarding “the call”, she actually emailed me prior, stating that she'd like to offer me representation and asking to set up a time to talk.  That worked out well because I got the jumping and screaming out of my system before having to sound coherent and sane. When we did speak, I liked her feedback on my manuscript and her proposed plan of action, and I felt that our partnership would be a good match. Needless to say, I signed with her shortly afterwards.

What's next for you?

Once I incorporate Pooja’s edits, she intends to submit the manuscript in January after the holidays are over and New York is fully back in action. In the meantime, my job is to build upon my platform as a writer—finally delving into the social media I have long avoided. I will also start work on book 3 of the trilogy, which allows me to resume one of my favorite activities in the world--writing fiction!
 
****

Isn't she just awesome??

You can get in touch with Debbie in lots of ways...

Email: debbie (at) debbiecausevic (dot) com
twitter: @dcausevic

And please share your comments below!

Auction to Benefit Hurricane Relief

Sunday October 28, 2012
Red Cross Shelter at Pleasantville High School - Pleasantville, New Jersey

Fourteen-year-old Peter Ramirez of Pleasantville, N.J., at the shelter with his parents, Rebecca and Stan Scott who were glad to be safe from what she called "all the craziness" of Hurricane Sandy. Photo by Les Stone/American Red Cross Photo by Les Stone/ American Red Cross 

Writers, if you haven’t been over to the auction at Jen Malone’s blog to benefit the Red Cross, now’s the time!  And even if you have been over there, even more amazing items have popped up for you to bid on.

http://jenmalone.blogspot.com/

Items available to bid on include critiques from agents, editors, & authors, signed books, writing tools like Scrivener, and writing workshops. (See below.)

The auction closes on Wednesday, November 7th at 5 pm EST. Go on over for your chance to get some great items AND help support hurricane relief at the same time.  :)

  • Query Critique From Literary Agent Michelle Johnson
  • First Ten Pages Critique From Literary Agent Stacey Donaghy
  • First Ten Pages Critique From Agent Michelle Johnson (THREE AVAILABLE)
  • 45 Minute Phone Call On Your First 30 Pages With Former Senior Editor at HarperCollins
  • Query Critique From Agent Sarah Jane Freymann
  • Three Chapter Critique From Agent Jessica Sinsheimer
  • BIG Box Of Signed YA Books, Rare ARCs, And Swag
  • Query Critique from CODA Author Emma Trevayne
  • Rhyming Picture Book Critique From Author Janet Lawler
  • Three Chapter Critique From Agent Victoria Marini
  • Query Critique and Signed Hardcover of Bestseller STARTERS by Author LIssa Price
  • Giant Book/DVD Swag Bag from Walden Media
  • Query and First Five Pages Critique From Agent Kathleen Rushall
  • Free Scrivener Upload For Your PC
  • First Chapter of Your Middle Grade Novel Critique From NYT Bestselling Author Adam Gidwitz 
  • Three Chapter Critique From Agent Julia Alexandra Weber
  • Thirty-Minute Ask Anything Phone Call With Agent Holly Root
  • Ten Page Critique From Author Jenny Lundquist
  • Copyedit From Publishing Professional Dahlia Adler
  • Query And First 50 pages Critique From Author Alison Cherry
  • Query Plus First Two Pages Critique From Agent Marisa Corvisiero
  • Query Critique from Publishing House & Lit Agency Intern
  • PB Manuscript Critique, Signed Copy of BOY + BOT and Swag Pack From Author Ame Dyckman
  • Registration To Any Upcoming LitPow Workshop
  • First Five Pages Critique of MG or YA Manuscript From Editor
  • Query Plus 20 Pages Critique and Phone Call From Agent Susan Hawk
  • Query Plus 10 Pages Critique, Signed Book & Swag From Author Diana Renn
  • First Chapter Critique PLUS Two Signed Hardcovers From Author Veronica Rossi
  • Copyedit of First Three Chapters or PB Text From Industry Professional
  • Twenty Minute Phone Call With Author Catherine Masciola
  • Query Critique and E-Copy of Query Handbook from CJ Redwine
  • Full Manuscript Critique From Writer  Marieke Nijkamp
  • First 20 Pages Critiques Plus Queries From Up-And-Coming Authors

    *If you’d like to help spread the word and post this on your blog, please use the contact link above to get in touch with me.  Thank you!