Happy New Year! And Who to Follow in 2013.

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Thinking back on 2012 as we start 2013, I know how blessed I am to be surrounded by a wonderful family and amazing friends. (Hi to hubby, Mom, Anne, & Adrienne who I’m pretty sure read this.) The idea of a new year opens up so many possibilities. My kids even agreed on a TV show this morning. What?!

I hit some big writing milestones last year too. I finished my book, headed into the query trenches, got an agent!, and went out on submission. In the meantime, I finished my next book and realized how much I’ve learned along the way.

I also made a lot of new friends. Writer friends. Friends who totally get that the paragraph above is a HUGE deal and who cheered me on every step of the way. While I’m sure I’ll forget to include someone, I’m going to attempt to say thank you to some of you who made 2012 so special.

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To follow my twitter list of these incredible writers, go here.

 

My twitter adventure began with finding people to chat with. I remember jumping into a conversation between Summer and Rachel, where we ended up exchanging queries. I got to know other writers and learned about contests, as well as the amazing opportunity to stalk other entries. :) I found Triona’s pitch so intriguing and we soon started chatting. When she moved back home to Indiana, I twitter-introduced her to Summer- remember this for later. I also loved Elaine’s entry and I finally have her ms to read! Woo hoo!

When I got my agent- the wonderful Kerry Sparks- Kim gave me a virtual Dr. Pepper toast, which I MC900389662returned when she got her agent! *foreshadowing* And then that feisty Jess shot off her famous confetti cannon. When I went out on submission, I jumped into a new trench along with Dahlia and Leigh Ann. Over the summer, I also gained a fabulous new CP in Emily and got to know the sweet & spunky Andrea. Sending hugs to all of you. :)

Then came Pitch Madness where I got to know the incredible Brenda and learned what it was like from the other side of the slush. In that slush, I found an entry I absolutely HAD to read more of. That’s when I became TFFs (That’s right, Twitter Friends Forever) with Jen. Summer and I also tracked down Carey, who turned into a giddy schoolgirl when she was nicknamed “The Torg”. Go Team Finn!

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The Northern Ohio SCBWI runs a terrific conference every year in September, and this year, we even got to have a Tweetup, where I met some amazing writers and twitter friends in real life. Triona, Lucas, Stephanie, Kellie, Holly, Christina, Lindsay and Heather, as well as other writers attending the conference. And one of my favorite parts- I got to see Jen M. again. :)

Yeah, I know. So much awesome in that paragraph.

Hook, Line, & SinkerAnd then I ventured into the Hook, Line, & Sinker contest with Summer and Kat. It was a ton of work, but itTrick or Treat button was also so much fun to work with these amazing ladies. The Trick or Treat with an Agent contest was also a success, especially because I got to work with Kim & Brenda.

And how could I ever forget The Great Fizz Frenzy of 2012 when Fizzygrrl finally got her amazing agent. IndianaPhew! And are you ready for this? In December, I got to see Triona again and meet Summer in person! Yes, the Fizz is just as awesome in real life. You might even say she’s amazeballs. (I do speak some Fizzish, you know.) I even got to meet their hubbies and try apple butter for the first time. *waves hello to Drew and Gavin*

Dee & Kim C

 

And then a week later, I got to have lunch with Kim who was in town visiting family. And we had a REAL Dr. Pepper toast.

 

The year brought Grease sing-alongs with Sarah, DB Sweeney swooning with Gail, and more stalking (uh, ms finds) with Laurie and Janet. I ran from risqué conversations with, among others, that crazy, yet totally endearing, gal Feaky. And when the awesome Marieke started asking for MG to read and then gushed over mine, well, that might have made my day.

I loved meeting all the other slush readers in the contests I did- there are so many of you to mention, so I will just say ALL of you! My Pitch Wars team Erin, Samantha, and Vicki are incredible, so be sure to watch their stories. And to those who take the time to chat with me, please forgive me if your name isn’t in here. A quick hello to Jay, Melanie, Megan, Jamie, Sarah, Dale, Abby, Heidi, Angi, and Laura.

So many of you have helped and encouraged me along the way and I am truly grateful. It’s so fun to see writers joining twitter and contest circuits and I’m humbled by those who have asked for my advice. Thank you, for giving me the chance to pay it forward.

Wishing everyone a very happy, healthy New Year, full of amazing adventures!

*last photo by mono bustos

My Pitch Wars Team!

Photo by mmagallan

My Pitch Wars folder was filled with fantastic entries. Seriously. You guys did such a great job matching your choices to the mentor wish lists. I got everything I asked for- contemporaries that tugged at my heart strings, some light fantasy that had me really intrigued, awesome mysteries and adventures, stories with bits of history, lots of magic, and some super cool concepts and ideas. With smooth writing and unique voices, you certainly gave me a lot to think about. But as you know, I could only choose one.

checklists,communications,emoticons,faces,notes,school,smiley,smiley face,smiley faces,smileys,smilie,smilie face,smilie faces,smilies,smily,smily face,smily faces,symbols,writes,writingsI hope everyone gets something positive out of this contest because whether or not you’re on a mentor’s team, there’s so much to gain. (Click here and here to read my posts on all the things you can get out of contests!)

My top pick is one that hooked me right away and it was the one I kept thinking about throughout the entry period. It’s a mystery/adventure with magical elements, plus it has a hot-air balloon, a clever mc, and a genie! So, please welcome Erin Ferguson with her amazing story BALLOONING to my team! (See all teams over at Brenda Drake’s blog.)

aircrafts,aviation,ballooning,balloons,flies,flights,floats,Fotolia,hot-air balloons,New Jersey,outdoors,Photographs,pilots,races,recreation,rides,skies,sports,summer,winds

My alternates also have some mix of mystery, adventure, and magic and had me curious as to what will happen next in the story. Say hello to Samantha Farkas with THE LOST FIGUREHEAD . . .

helms,hubs,ship's wheels,spokes,steering,transportation,travel,wheels
. . . and Vicki Tremper with THE TRANSPARENTS.

academics,answers,classrooms,desks,iStockphoto,raised hands,rows,students,teachers,education,knowledge

I’m going to say it again- there were so many good entries and I am HONORED that you chose to send your work to me. I tried to give everyone some constructive feedback, but please remember it’s only one opinion- consider it notes a CP might write.

You are all so brave to put your work out there and I admire your determination to get it in the best shape you can. I wish you all the best of luck!

*Check out our new site www.cpseek.com to chat with other writers and find critique partners!*

Contests Are For . . . (Part 2)

Here are five more things contests are really for, in the words of your fellow writers. If you missed Part 1, you can read it here.

*If you’re looking to chat with other writers or find a critique partner, check out www.cpseek.com!*

concepts,encouragement,Fotolia,incentives,inducements,inspirations,motivational,motivations,motives,persuasion,Photographs,provocations,reasons,roadsigns,road-signs,signage,signposts,signs,spurs,stimulus

6. Getting motivated.

“I find nothing motivates me more than knowing other writers are out there, doing the same thing I'm doing, working just as hard. Contests are a wealth of people all struggling in the trenches together, and what's more motivating than that?” –Dahlia @MissDahlELama

“On a few different occasions, after entering a contest, I received an e-mail from a "Random Citizen" telling me how much they loved my entry. THAT, more than anything else encouraged me to keep going. Just a taste of how it feels to touch someone with your work.” –Janet @MsVerbose

“There’s nothing like winning a contest to help push away those “I’m never gonna get published” naysaying thoughts bumping around my head!  Even if I don’t win, an encouraging crit is enough fuel to push me forward, to let me know I am on the right track.” –Stephanie @stefwass

“I am absolutely someone who is motivated by deadlines, but the ones I impose on myself (you will finish this revision one month from today!) seem artificial and harder ot keep. But if I know that there's a contest coming up, that maybe I'll get lucky and have a request on a certain date, it is absolutely easier to keep my backside in the chair and my eyes on the screen, to persevere and get the work done.” –Elaine @ElaineBVickers

“Contests can jumpstart you into finishing things you've been putting off--perfecting your query, writing your synopsis, etc.” – Emily @emcushi

7. Getting encouragement.

“I love the camaraderie among contest participants! There's so much encouragement, even among people who are technically competitors, and I think that's so important at such a scary phase of the process.” –Dahlia

“I gained support and confidence with the feedback. All a win-win experience.” –Karen @love8rockets

brainstorming,business concepts,cities,communities,cooperation,corporate,iCLIPART,leaders,lifestyles,men,people,plannings,silhouettes,teamwork,women

8. Being part of a community.

“The writing community is an amazing thing - a wealth of resources and knowledge, a pool of willing betas/CPs... writing is only as solitary a practice as you choose to make it, and if you really open up (within reason!) it's pretty amazing what other people will do to help a stranger, and even better when they no longer feel like strangers!” -Dahlia

“The #1 thing I've learned from contests? The writing community is AMAZING--everyone is so supportive, helpful, and willing to cheer each other on.” – Emily

“Writing is such lonely work, and sometimes it feels like you're the only one who can't ‘make it.’ Contests always remind me that I'm not alone. I'm part of a broad community of wonderful, helpful people who are brave enough to put themselves out there and take risks. It makes me want to do better and keep going!” –Janet

“I entered my first contest last spring, a Twitter pitch party. The request I got from a top agent was great, but what I really got out of it was writer friends who knew what I was going through and are now right there with me, cheering my wins and booing my losses. Thanks to that contest, I now have met with other writers in person (they're just as awesome as they are online!). I talk to dozens of writers daily through Twitter, email, and blogs. I also know tons much more about the literary world than I did before (agents and editors are people too, apparently!). I'm no longer slogging through the trenches alone—I'm shoulder-to-shoulder with awesome people just like me. I am so thrilled I decided to enter that contest. :-)” -Triona @trionabmurphy

business concepts,businesses,characters,concepts,flowers,gifts,giving,people,presents

9. Paying it forward.

“Writers I’ve met through contests and I are now actively cheering each other along our paths to publication and, not only has my writing grown as a result of these connections, but so has my enjoyment of the whole process and the connection I feel to the larger kidlit community.” –Jen @jenniferlmalone

“Having the opportunity to pay it forward as a Pitch Wars mentor feels pretty amazing. You realize how much work goes on behind the scenes, strictly because writers are willing to spend tons of time and energy helping other writers they don't even know. I know Cupid, Krista Van Dolzer, Brenda Drake, and Monica B.W. worked like crazy on the contest that got me my agent, and that they continue to help the community (all four are involved in Pitch Wars) while writing their own stuff boggles my mind. How could I not want to make every effort to pay it forward with role models like that??” –Dahlia

“The writing community is the most supportive group of people I've ever come across. Every writer who takes the time to help another writer, whether that's answering questions, critiquing work, holding contests, etc. is AMAZING! Let's keep paying it forward people!” –Kim @kpchase817

“The fantastic thing about this community is that everybody is willing to help each other. Mentoring in contests, or simply critiquing entries, is a wonderful way to pay it forward--and learning something in the process!” –Marieke @mariekeyn

 

10. Winning- but not necessarily the contest.

“’Winning’ the contest is seriously the least of it. Gaining a community, betas, CPs, cheerleaders... these things are invaluable. It's like that "teach a man to fish" saying. Winning a contest gets you the fish, and it's great, but just being in a contest gives you all the tools to fish on your own, and that's no small thing!” –Dahlia

“You always win something when entering a contest. Info on what agents are looking for, feedback on your pitch, seeing what else is out there, what works and what doesn't, connecting with other writers and making friends. It's all Winning!” -Kim

Sure, winning could be getting to the final round and collecting requests from agents. If you do that, good for you! But if you’ve accomplished any of the things on this list, consider the contest a win. :)

*A big thank you to the fabulous writers who contributed to the post!

Contests Are For . . . (Part 1)

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If you’re entering contests simply to snag an agent, you’re missing out on all the other things contests make possible. Whether you dive right in or cheer from the sidelines, there is A LOT you can gain from them- all things that can lead you on your path to getting an agent.

Here are five things contests are really for, in the words of your fellow writers. (Click here for five more in Part 2!)


Yup, that’s me (@writeforapples) in the middle, with @trionabmurphy & @fizzygrrl on our writing weekend. I met Triona and got to know Summer through twitter and contests.



1. Making connections.

“The cool thing is, the competition could become your new CP. I've met fabulous people through participating in contests.” – Emily @emcushi

“Making connections is, in my opinion, the greatest value of contests. I met all of my CPs either directly or indirectly through the contest that got me my agent. Think about it: You're likeminded writers in similar stages of the publication process - it's instant bonding!” –Dahlia @MissDahlELama

“I discovered some fantastic manuscripts, amazing new voices, and wonderful writers through contests. I met several CPs that way and betaed dozens of manuscripts, staying in touch with many writers. It's great to be allowed to share part of the journey.” –Marieke @mariekeyn

“I have met so many great people through contests. Some have even turned into perfect CP's because they knew my style from the beginning.” –Janet @MsVerbose

“I've met many writers in my genre and have had invaluable critiques from writers outside of my immediate writer's group.” –Karen @love8rockets

“I entered my first contest almost a year ago for a manuscript and query that, in retrospect, were awful. I actually looked back at that first entry and discovered that my first comment was from someone who has since become a good friend. While neither of us remembered that comment, it was probably the seed that started a friendship that I now value very much. I've found so many other friends and critique partners, and win or lose, it's such an affirming and positive experience to be cheered on by your competition. Contests, for me, reaffirm what a great community writers can belong to.” –Elaine @ElaineBVickers

“I stumbled upon some great people through a contest/pitch hash tag on twitter.  An agent I follow mentioned to his followers to use it to pitch their book and I jumped on the bandwagon.  This is how I met Summer and others.  I think it's how people thought we all met because of The Writer’s Voice contest. I jumped in using the hash tag without knowing what the heck was going on.” –Jess @muchadoabout77

“What was really impactful for me was finding those queries for stories I knew I would LOVE to read. Of course I told the authors just that in the comment box, but if I could determine who those authors were, I also followed them on Twitter and struck up conversations. It wasn't long before a few of those conversations led to MS swaps.” –Jen @jenniferlmalone

“This is my favorite thing about contests. They are such an awesome opportunity to make new writer friends and connect with people you otherwise may have never interacted with before. Some of my CPs and best buddies all stemmed from me entering a writing competition. I never "won" in the competition sense, but that didn't stop me from winning new writer friends. Friends who then supported me, read my work and gave feedback, talked me through the getting an agent process, and overall kept me sane. These people ultimately helped me land my agent and I will forever be thankful for them. (I <3 you Dee!)” –Kim @kpchase817 notebooks,budgets,fotolia,office,prints,reports,schools,writings,yes,pen2. Getting feedback.

“Maybe something (your query, logline, first 250 words) needs to be changed. Luckily, in some contests, you receive valuable instant feedback to let you know exactly what that change could be.” –Emily

“Let the comments sink in for a few weeks. Initially, you may disagree with them.  But eventually, you’ll find nuggets of truth, and common themes that point to areas that need to be addressed in your writing.  For me, looking back at feedback from a contest that took place a year ago, I can step back and see kernels of wisdom.  At the time of the contest, I was defensive.” –Stefanie @stefwass

“The amount of feedback you'll get is often determined by the nature of the contest, and those that allow public critique are often the most valuable. This includes non-contest sites like theqqqe.blogspot.com, where I got the feedback that made my query so much more successful. As an added bonus, public-critique contests help you develop the thick skin that you'll need regardless of how far your writing career goes. :)” -Elaine

“The feedback that comes from contests can be tricky to parse through, because it comes from so many different sources who really don't necessarily know any better than you do. I've seen terrible advice given in contests, and it kills me. BUT, when you see that piece of advice that totally and completely resonates with you and sparks a brilliant revision idea? Priceless.” -Dahlia

“Learning what wasn't working was as, if not more, important than the confidence boost that came from the supportive comments.” –Jen

3. Learning.

"If some entries receive a lot of requests, go ahead and dissect the query, logline, etc to see what's making it so darn appealing.” –Emily

“Analyzing what wasn’t working in others’ queries and/or opening pages often opened my eyes to similar mistakes in mine and the comments made on my entry caused me to look long and hard at what I was presenting to agents.” –Jen

“I love reading feedback for all sorts of entries. It's so interesting to see subjectivity in action, to see how different readers react differently to stories. I may not agree with all of it, but contests with live feedback are a fantastic insight in the mind of other readers/agents/editors.” -Marieke

“Reading other critiques is a great way to improve your writing. Also, studying craft: How did the writer nail the logline? What was it about his first sentence that had me hooked with just a few words?” -Stefanie

“There's a ton you can learn from contests if you really pay attention. They're often springboards for experienced betas and industry pros to teach invaluable lessons whether in comments or on Twitter.” –Dahlia

"I Learned about what writers in my genre are writing right now.” –Karen

"Again, public critique contests are a great way to learn, often by critiquing others' writing. Whether an entry worked or didn't work for you, the analysis of why can almost always be applied to your own writing. And this applies for non-critiqued contests as well. Which entries got the most requests? Was it the writing, or the hook, or a killer combination of both? What can you learn and apply from entries that were similar to yours?” –Elaine

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4. Finding out about agents.

“For me, it’s interesting to compare agent feedback on the same piece of writing. It is subjective, but I can tell so much about an agent’s style, personality, and whether or not he/she would push me editorially, which for me, is something I am seeking.” –Stefanie

“I first learned of my agent through a contest. No, I didn't win that one, but I noted what interested her and that's when I added her to my list of agents to query.” -Janet

“Of course, every writer should be researching agents on his/her own, but contests can be a great way to narrow down an overwhelming list and learn real specifics from an agent's wish list.” –Dahliacommunications,computing,emails,Internet,messages,New Message,Photographs,technology,text,World Wide Web,WWW5. Understanding the process.

“I quickly realized through these new connections that I didn't know bupkiss about getting published.  The contest allowed me to meet critique partners and new friends I'm constantly learning from, being motivated by, and motivating in return.” –Jess

“Contests helped me realize that a full request doesn’t necessarily mean an offer of rep or a publishing contract!  I now understand that this is a long, bumpy journey, with many other writers vying for the same goal.” -Stefanie

*A big thank you to the fabulous writers who contributed to the post! Go follow them on twitter. :)

Pitch Wars ... the Agents!

Are you ready for this? We have 16 incredible agents vying for our Pitch Wars team manuscripts. We're so excited to see what pitches they fall in love with, and what teams will win the coveted Pitch Wars Most Requested Manuscript title. And, in no particular order, here are the agents...

Louise Fury L. Perkins Agency Twitter: @louisefury Louise is seeking teen Sci-Fi and Young Adult horror. She's also on the hunt for deep, dark contemporary YA and select Middle Grade fiction with a literary feel--it must be realistic and thought provoking and the characters must be authentic and original. Louise loves horror and romance, especially Regency and Victorian.

Jessica Sinsheimer Sarah Jane Freymann Literary Agency Twitter: @jsinsheim Jessica is seeking Literary, Women's, Middle Grade, and Young Adult Fiction.

Natalie Fischer Lakosil Bradford Literary Agency Twitter: @Natalie_Lakosil Natalie is looking for commercial fiction, with an emphasis in children’s literature (from picture book-teen), romance (contemporary, paranormal and historical), and upmarket women’s fiction. Specific likes include historical, multi-cultural, paranormal, sci-fi/fantasy, gritty, thrilling and darker contemporary novels, and middle grade with heart.

Pam van Hylckama Vlieg Larsen Pomada Literary Agents Twitter: @BookaliciousPam Pam represents young adult and middle grade children’s book authors, and adult romance authors.

Jordy Albert The Booker Albert Agency Twitter: @bluedragonfly81 Jordy is on the look out for Romance (contemporary, historical/Regency, and paranormal). YA contemporary/historical or dystopian, sci-fi/fantasy with romance elements. She's also open to YA GLBT within those genres. She'd love to see unique, well-developed plots featuring time travel, competitions, or travel.

Andrea Somberg Harvey Klinger Inc. Twitter: @andreasomberg Andrea's looking for the following categories: Fiction; literary, commercial, womens fiction, romance, thrillers, mystery, paranormal, fantasy, science fiction, young adult, middle grade.

Jennifer Mishler Literary Counsel Twitter: @literarycounsel Jennifer is seeking Young Adult Fantasy, Young Adult Contemporary, Young Adult Literary, and Young Adult Historical.

Suzie Townsend New Leaf Literary & Media, Inc. Twitter: @sztownsend81 Suzie represents adult and children's fiction. In adult, she's specifically looking for romance (historical and paranormal), and fantasy (urban fantasy, science fiction, steampunk, epic fantasy). In Childrens' she loves YA (all subgenres) and is dying to find great Middle Grade projects (especially something akin to the recent movie SUPER 8).

Victoria Marini Gelfman Schneider Literary Agents, Inc. Twitter: @LitAgentMarini Victoria is looking for literary fiction, commercial fiction, pop-culture non-fiction, and young adult. She is very interested in acquiring engaging Literary fiction and mysteries / suspense, commercial women's fiction (romantic suspense, sci-fi, fantasy), and Young Adult (contemporary, sci-fi/fantasy, thriller and horror ).

Kerry Sparks Levine Greenberg Literary Agency, Inc. Twitter: @Kerry_Sparks Kerry is looking for Young Adult and Middle-Grade fiction, both commercial and literary. She tends to shy away from werewolves, zombies, faeries, and the like, but she’ll read anything with a fresh voice and compelling characters. She is particularly keen on contemporary YA, quirky MG, books with a strong cinematic element.

Drea Cohane The Rights Factory Literary Agents Drea is currently seeking: fiction, memoir, crime, non-fiction and YA. Her roster consists of British, American, and Canadian clients. International talent is welcome.

Katie Shea Donald Maass Literary Agency Twitter: @AgentShea Katie specializes in fiction and memoir, especially women’s fiction and commercial-scale literary fiction, and realistic YA. She is most interested in coming-of-age stories and stories of unique relationships.

Elise Capron Dijkstra Literary Agency Twitter: @EliseCapron Elise is interested in serious character-driven literary fiction, well-written narrative nonfiction, and short story collections. (Note: She is not interested in Fantasy, young-adult/middle-grade, picture books, romance, and sci-fi.) She aims to work with writers who have a realistic sense of the market and their audience.

Jodell Sadler Sadler-Caravette Children's Literary Twitter: @picturebklunch Jodell is interested in YA, MG (especially funny) , fiction and nonfiction, book proposals, and picture books. She will also coach writers wanting to self publish. She simply loves a well-paced story that moves her between joy and tears.

Corvisiero Literary Agency Brittany and Michelle are teaming up to look for Adult, YA, and MG manuscripts.

Michelle Johnson Twitter: @MJsRetweet Michelle’s published one novel, The Footloose Killer, and edited several others for publishing houses and private clients. She also is a Script/Story consultant on an independent film in Halifax, NS, Canada, and enjoys working closely with writers to help them develop their voice and craft.

Brittany Howard Twitter: @brittanydhoward When reading, Brittany loves to be introduced to new and interesting people and places. She looks for strong voice, good storytelling, and fascinating relationships between characters—romantic or otherwise. More than anything, she loves when a book surprises her.

There's just one more day to get your applications in for Pitch Wars. Make sure to check out this post here to get all the details.

One Pitch Wars Spot . . . Who Wants It?

Photo by Lotus Head

Some of you might find it most endearing that I love to travel and experience different cultures, or that I’m a vegetarian who would never go vegan and give up ice cream and cheese. Or maybe when you hear that Grease is my all-time favorite movie, you don’t care what my writing qualifications are. But, for those of you who are still wondering why I’d be a good mentor, here goes. I’m an elementary Truck on freewayteacher, and believe me, third grade writing conferences count as experience. I can spot a grammar error or choppy sentence flow like it’s a semi-truck whizzing past me.

I’m a freelance educational writer, and you’ll find a handy list of links to my work over at my website, black laptop red shirtTeacher’s Idea. I’m a Middle Grade writer, represented by Kerry Sparks of the Levine Greenberg Literary Agency and I am constantly reading, writing, or critiquing with a fabulous list of critique partners. I’m fairly certain they’d all vouch for me. Um, right, you guys? 

I believe in pointing out the strengths in a manuscript MP900448582as well as what might need work, I love to chat about ideas, and if your manuscript needs a polish, I always have my cleaning gear ready. :) 

 

So, if you’re interested, here’s what I’d love to find for my Middle Grade team . . .

Contemporary
Contemporary with Magical Elements
Mystery/Adventure
Light Fantasy/Light Sci-Fi

I'm most drawn to MG stories grounded in reality- contemporary or contemporary with magical elements. I’d even go light fantasy and light sci-fi, but I prefer stories based in our world. I also love combinations of mystery and adventure or either one on its own. I’m not your girl for straight up historical, but if it has a dash of history thrown in, it’s a yes! I like fun, clever, stories with strong or developing relationships, whether it's family, friendship, or first love. Most of all, give me great characters and a story that keeps me turning the pages.

Now the only question is, what do you have for me? :)

***

Submissions start today (11/26) ! The cut off time to get your applications (query & first five pages of manuscript) in is 8PM EST on December 5.

Send your applications to brendadrakecontests@gmail.com. Writers can apply for up to 3 coaches. The coaches' categories are set. Coaches can only consider the categories they've signed up for. Writers cannot apply for a coach that is not in their category.

For additional information about this contest go HERE.

· This is open to finished manuscripts only.

· You may only enter one manuscript.

· Only the genres requested by each coach will be considered for the contest.

Formatting...

Subject line: Pitch Wars Application: Coach Name you want to apply for: Title (Example: Pitch Wars Application: Brenda Drake: GONE WITH THE WIND)

Name: Your Name

Genre: The genre of your manuscript

Word Count: The word count of your manuscript

Query letter here (embedded in email). Single spaced. No indentions. A space between each paragraph.

First five pages of the manuscript here (embedded in email). Single spaced. No indentions. A space between each paragraph.

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REMINDER: You can send an application for up to 3 coaches. 

Check back soon for a complete list of the amazing agents participating in the contest. There's over a dozen!

Today all the coaches are posting bios/wish lists on their blogs. So before choosing your top 3 picks, check all the coaches' posts in your category before deciding which coach to submit. To jump from blog to blog, just click on our pictures below.

Pitch Wars Details!

We're extremely excited to announce an upcoming event where agented authors, industry interns, and editors team up with aspiring writers to shine up their manuscripts and pitches to present to some awesome agents.

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Here's the deets...

· The teams will consist of 1 agented author or industry intern or editor (coaches) and 1 aspiring author.

· November 26th: The coaches (listed on the linky below) will post on their blogs what genre/category they want to coach. They'll be very specific genres. Aspiring writers will hop around and decide which coaches best fit their manuscripts.

· November 26th through December 5th at 8PM EST: Aspiring writers will submit 3 "applications" to their top choices for coaches to the contest email (brendadrakecontests@gmail.com). That means, participants will send three separate emails to the contest email addressing each with one of their three top choices for coach.

· December 5th through December 10th: Coaches will read the applications and pick teammates.The coaches don't have to pick from their applications. If a coach passes on an application, it is then up for grabs and another coach, if they haven't connected to their applicants, can snatch it after notifying the applicant and if the applicant chooses the coach.

· December 12th: Teams will be announced. On the announcement post there will be instructions on how the winners must send their work.

· December 12th through January 16th: Each coach will read their teammate's manuscript and give general notes on any issues they find. The coach will help their teammate get his or her pitches ready for the agent round.

· Note: The material for the agent round will be a 3 sentence pitch and the first 250 words of your manuscript. Coaches will read manuscripts and query letters only once and give notes. It is up to the writer to use the notes from their coaches to get the manuscript and query letter in as best shape as they can to send to requesting agents. The coaches will critique the three sentence pitch and first 250 words. The coaches will read them as many times as they deem necessary. In no way will writers expect the coaches to read the manuscript and query letter more than once or the pitches more than twice.

· January 20th: Coaches will submit shined pitches to the contest email.

· January 23rd and 24th: Agents will read and make requests on the pitches they like (it is likely that not all participants will get requests).

· January 25th: We'll announce the team with the most requests and who will take home the winning prizes (an amazon gift card for each).

· This is open to finished manuscripts only.

· You may only enter one manuscript.

· Only the genres requested by each coach will be considered for the contest.

Formatting...

Subject line: Pitch Wars Application: Coach Name you want to apply for: Title (Example: Pitch Wars Application: Brenda Drake: GONE WITH THE WIND)

Name: Your Name

Genre: The genre of your manuscript

Word Count: The word count of your manuscript

Query letter here (embedded in email). Single spaced. No indentions. A space between each paragraph.

First five pages of the manuscript here (embedded in email). Single spaced. No indentions. A space between each paragraph.

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REMINDER: You can send an application for up to 3 coaches.

Our mentors ...

Another Hook, Line & Sinker Success Story!

Interview courtesy of Kat Ellis.  :)
***
Another Hook, Line & Sinker success story? HELLZ YES.

I am so excited to announce that Pat Esden has signed with Pooja Menon of Kimberley Cameron & Associates! Pat's entry for MOONHILL got a lot of agenty attention in the contest, so I'm over the moon (and not at all surprised!) that she is now officially an agented author.


CONGRATULATIONS, PAT!
 
Pat

Of course, I immediately asked Pat for the lowdown...

First of all, please tell us what MOONHILL is about.

MOONHILL is a YA contemporary gothic tale about Anie Freemont, a seventeen-year-old antique dealer. Anie’s never believed the stories her father told about their ancestral home, Moonhill. Mystical rings which eat souls, genies in jars . . . she figured the frightening tales were simply another of her antique-dealing papa’s eccentricities. That is, until he’s diagnosed with dementia and a court order forces her to take him back to Moonhill and the estranged family they fled when she was three years old.

All Anie wants is to help her father get stabilized so they can leave as fast as possible. But from the moment they arrive, she’s isolated from him by their family. She notices disturbing things too, including human-shaped shadows in Moonhill’s gallery and a witch’s pentagram under her bed. When her father turns violent and Anie discovers he’s not seeing a doctor like she was told, the deceit leads her to a decade-old mystery surrounding her mother’s death in Moonhill’s graveyard. A mystery she must unravel if she wants to help her father.

But to separate truth from tale, Anie will have to use all the tricks she learned while dealing antiques with Papa to outwit a family who prefers to keep her in the dark—and an entity which is far different than the Christian demon she first suspects. If she fails, Papa will end up institutionalized for life--and she may never escape Moonhill, unless it's in a body bag like her mother.


Who or what inspired you to write it?

It was Johnny Depp and our shared love for the old TV series Dark Shadows.

When I heard he was working with Tim Burton on a remake, it struck me that having fun and creating something you’ve always wanted to try was important to me as well. However, I didn’t have the desire to create a campy remake of Dark Shadows. I wanted to write a gothic novel which had an atmosphere reminiscent of the show and to that of the classic mid-century gothic novels written by Phyllis Whitney, Mary Stewart and Victoria Holt—but with an updated flare and sizzle to make it appealing to the modern teen reader. 

What made you decide to enter Hook, Line & Sinker?

In August I sent out queries to agents who had read previous manuscripts of mine and asked to look at future works, and to several who specifically liked gothic. While I was waiting to hear back from them, I was also working on an under seventy-five word pitch for Authoresses’ upcoming Baker’s Dozen contest. When I saw HLandS required a pitch that was under sixty words, I thought I couldn’t do it. But it was a challenge I couldn’t resist. Once I got the pitch where I wanted it, I was pretty much compelled to enter—and I had never queried any of the agents in the HLandS contest.

When Pooja made her offer of representation, how did The Call happen?
 

Like I said, I’d queried other manuscripts. I’d waited over a year to hear back from agents and up to nine months on several occasions. Pooja totally caught me off guard.  When the last round of the contest went live, she quickly requested fifty pages and a synopsis. A few hours later, I received an energetic request for a full. Less than twenty-four hours after that, she emailed me an offer of representation and asked if I’d like to chat on the phone. It was an amazing relief to receive the offer before “The Call”. It also made it easier to judge what a normal working relationship with Pooja would be like, instead of worrying about whether I get an offer or not.

What's next for you?

Pooja has several new clients, so I’m planning on working on a new project until she’s had a chance to go through MOONHILL and get back to me with revision suggestions.

Actually, I think learning to balance working on several projects at once is going to be my biggest writing challenge over the months to come.

Thank you so much for hosting the YA portion of the HLandS contest.  It was an amazing and life changing few weeks for me.

***

Brilliant answers, right?? Make sure you follow Pat for more news about MOONHILL!


On twitter: @PatEsden

People who leave comments are winners. FACT.

A Hook, Line, & Sinker Success Story!

Courtesy of the fab Kat Ellis . . .

I am so utterly THRILLED to be able to announce the first ever Hook, Line & Sinker success story! Debbie Causevic, who entered the contest with her fabulous YA urban fantasy/romance TUMBLING AFTER, is now represented by Pooja Menon of Kimberley Cameron & Associates!

   

CONGRATULATIONS, DEBBIE!

Naturally, I wanted to get all the deets from Debbie, so I asked her a few questions...

First of all, please tell us what TUMBLING AFTER is about.

 
Tumbling After is the first book in a trilogy I am writing titled The Timebender's Curse, a YA urban fantasy/romance. In this first book, 15-year old Louie Weatherby is sent back in time due to a centuries-old curse upon her family. She arrives in 1860 Williamsburg, VA just months prior to the onset of the Civil War. As part of her curse, she is forced to play a role in ensuring that her precarious lineage continues down the haphazard path that ultimately leads to her own existence. During her foray in this disconcerted land, she falls wildly in love with Owen Hayes, a young farrier apprenticed to her family’s mortal enemy.
 
Unfortunately, the Timebender responsible for cursing Louie’s family is forcing Louie to play a game she doesn't understand. What she does understand is that unless she consents to becoming a bigger pawn in the Timebender's wicked game, Louie will be parted from Owen as soon as she completes her task, never to see him again. She must ask herself how far she is willing to go to be with the love of her life, and how much she is willing to make others pay in order to do so.

What made you decide to enter Hook, Line & Sinker?

I’ve completed a handful of manuscripts but, at the point that I entered HL&S, I hadn't tried anything aside from straight querying. I decided I needed to break the pattern and become more proactive, so I committed to attending writers' conferences and entering whatever contests I could find online. As luck would have it, Hook, Line, and Sinker was the first step I took in that direction. I'm sure you can understand how completely surreal and awesome it felt not only to make it to Round 3, but also to have connected with Pooja Menon of Kimberley Cameron and Associates, who I have since signed with. These last few weeks have been just completely amazing and I am very thankful to HL&S for giving writers aspiring for publication such an opportunity.

Had you queried TUMBLING AFTER before the contest?

Yes, I completed the manuscript and began querying it in 2011. It generated some interest and I received two requests for partials that ultimately didn’t pan out. One of the agents took six full months deciding and actually offered more compliments than complaints in her rejection. Rather than starting to query again after her reply, I reread the manuscript and more clearly saw the areas that needed improvement. Ultimately, I think sitting on the book for so long while waiting was helpful. Having distanced myself from the writing of it, I was better able to fine tune the manuscript and come up with a stronger product. And as they say, all is well that ends well. I ended up with an agent who feels passionately about this manuscript, which is what I was hoping for all along.

When Pooja made her offer of representation, how did The Call happen?

Before the call, I knew that Pooja was fairly interested in the manuscript. She had requested the first 50 pages and, fairly soon thereafter, the complete manuscript. From what I had read online, I really liked her view on the industry, her progressiveness and her motivation, so I was hopeful. Regarding “the call”, she actually emailed me prior, stating that she'd like to offer me representation and asking to set up a time to talk.  That worked out well because I got the jumping and screaming out of my system before having to sound coherent and sane. When we did speak, I liked her feedback on my manuscript and her proposed plan of action, and I felt that our partnership would be a good match. Needless to say, I signed with her shortly afterwards.

What's next for you?

Once I incorporate Pooja’s edits, she intends to submit the manuscript in January after the holidays are over and New York is fully back in action. In the meantime, my job is to build upon my platform as a writer—finally delving into the social media I have long avoided. I will also start work on book 3 of the trilogy, which allows me to resume one of my favorite activities in the world--writing fiction!
 
****

Isn't she just awesome??

You can get in touch with Debbie in lots of ways...

Email: debbie (at) debbiecausevic (dot) com
twitter: @dcausevic

And please share your comments below!

Auction to Benefit Hurricane Relief

Sunday October 28, 2012
Red Cross Shelter at Pleasantville High School - Pleasantville, New Jersey

Fourteen-year-old Peter Ramirez of Pleasantville, N.J., at the shelter with his parents, Rebecca and Stan Scott who were glad to be safe from what she called "all the craziness" of Hurricane Sandy. Photo by Les Stone/American Red Cross Photo by Les Stone/ American Red Cross 

Writers, if you haven’t been over to the auction at Jen Malone’s blog to benefit the Red Cross, now’s the time!  And even if you have been over there, even more amazing items have popped up for you to bid on.

http://jenmalone.blogspot.com/

Items available to bid on include critiques from agents, editors, & authors, signed books, writing tools like Scrivener, and writing workshops. (See below.)

The auction closes on Wednesday, November 7th at 5 pm EST. Go on over for your chance to get some great items AND help support hurricane relief at the same time.  :)

  • Query Critique From Literary Agent Michelle Johnson
  • First Ten Pages Critique From Literary Agent Stacey Donaghy
  • First Ten Pages Critique From Agent Michelle Johnson (THREE AVAILABLE)
  • 45 Minute Phone Call On Your First 30 Pages With Former Senior Editor at HarperCollins
  • Query Critique From Agent Sarah Jane Freymann
  • Three Chapter Critique From Agent Jessica Sinsheimer
  • BIG Box Of Signed YA Books, Rare ARCs, And Swag
  • Query Critique from CODA Author Emma Trevayne
  • Rhyming Picture Book Critique From Author Janet Lawler
  • Three Chapter Critique From Agent Victoria Marini
  • Query Critique and Signed Hardcover of Bestseller STARTERS by Author LIssa Price
  • Giant Book/DVD Swag Bag from Walden Media
  • Query and First Five Pages Critique From Agent Kathleen Rushall
  • Free Scrivener Upload For Your PC
  • First Chapter of Your Middle Grade Novel Critique From NYT Bestselling Author Adam Gidwitz 
  • Three Chapter Critique From Agent Julia Alexandra Weber
  • Thirty-Minute Ask Anything Phone Call With Agent Holly Root
  • Ten Page Critique From Author Jenny Lundquist
  • Copyedit From Publishing Professional Dahlia Adler
  • Query And First 50 pages Critique From Author Alison Cherry
  • Query Plus First Two Pages Critique From Agent Marisa Corvisiero
  • Query Critique from Publishing House & Lit Agency Intern
  • PB Manuscript Critique, Signed Copy of BOY + BOT and Swag Pack From Author Ame Dyckman
  • Registration To Any Upcoming LitPow Workshop
  • First Five Pages Critique of MG or YA Manuscript From Editor
  • Query Plus 20 Pages Critique and Phone Call From Agent Susan Hawk
  • Query Plus 10 Pages Critique, Signed Book & Swag From Author Diana Renn
  • First Chapter Critique PLUS Two Signed Hardcovers From Author Veronica Rossi
  • Copyedit of First Three Chapters or PB Text From Industry Professional
  • Twenty Minute Phone Call With Author Catherine Masciola
  • Query Critique and E-Copy of Query Handbook from CJ Redwine
  • Full Manuscript Critique From Writer  Marieke Nijkamp
  • First 20 Pages Critiques Plus Queries From Up-And-Coming Authors

    *If you’d like to help spread the word and post this on your blog, please use the contact link above to get in touch with me.  Thank you!